AN EXILIC MEDITATION: OVID’S ARACHNE AS ARTISTIC REBELLION, POLITICAL ALLEGORY, AND PERSONAL ALLUSION
Abstract
This article examines Ovid’s depiction of the Arachne myth in the Metamorphoses (6:1–145). Within the context of Augustan Rome, it explores the intricate dynamics of power, artistic autonomy, and the interplay between divine intervention and human agency in relation to the Arachne narrative. Moreover, it positions the narrative against the backdrop of Ovid's own literary career and exile. Thus, through a close reading of the text and an analysis of intertextual references to Ovid's earlier works, it suggests that the Arachne narrative may have undergone revision sometime after Ovid’s relegation sentence was handed down and, as such, reflects his own encounters with imperial authority and censorship.Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (BY-NC-ND 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).