ARISTOPHANES EN DIE TWEEDE BEDRYF VAN BREYTEN BREYTENBACH SE BOKL/ED: 'N VERKENNING
Abstract
Breyten Breytenbach se drama Boklied het in die jongste tyd groot opspraak verwek, nie aIleen vanwee die tonele van naaktheid en seks nie, maar 66k vanwee daarvan. Die verwysingsveld is so breed dat die deursnee-toeskouer rue altyd die kloutjie by die oor kan bring rue. am hierdie rede het Hermien Dommisse (1998:13) op ietwat melodramatiese wyse verklaar: "Boklied kan die dood van die Afrikaanse toneel inlui." Sy motiveer dit so: "Boklied faa! as aanvaarbare toneel uit die staanspoor omdat Breytenbach as draers van sy woord toneelspelerverteenwoordigers uit die Griekse en Egiptiese mitologie kies wat vir die gehoor totale vreemdelinge is en met wie hulle hul rue kan identifiseer rue." Daarteenoor beweer Helize van Vuuren (Norval 1998:5) in haar professorale intreerede dat hierdie drama '''n inteIlektuele en kreatiewe inspuiting vir die nogal dormante Afrikaanse drama is". Sy wys ook op die Dionisiese gees van die drama.
Published
2014-03-30
Issue
Section
Articles
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (BY-NC-ND 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
